More Like BreathingThan Rain
by L. Ward Abel
I.
Who played that song
that night—
the one out by the beach
in air caked by dinner time
and rain more like breathing
than rain?
II.
The woods are bare here now
but warm air streams up
from a gulf once and future and
the rain’s more like
breathing
than rain.
III.
I ride the past like
a saddle half in shadow
no other reference point
but rain, more like
breathing
than rain.
Bio: L. Ward Abel’s work has appeared in hundreds of journals (Rattle, Versal, The Reader, Worcester Review, Riverbed Review, others), including a recent nomination for a Pushcart Prize and Best of the Net, and he is the author of three full collections and ten chapbooks of poetry, including his latest collection, The Width of Here (Silver Bow, 2021). He is a reformed lawyer, he writes and plays music, and he teaches literature. Abel resides in rural Georgia.
Record of a Friend’s Voice
by Heather Sager
On the highway, dusk driving,
or in a parking lot, ambling under
volcano-red clouds,
a male baritone brushes my ears
from a great distance…
Do you often recall
that person who haunts you—
the glow of their eyes
coming at you
as if from the shadows,
or a certain word calls back
the lucidity of their personality.
What if someone could put on
a friend’s voice like a record
spin it even when the friend
is not there
hear their kindness, searching
like a Blue Note jazz LP.
Don’t forget how
a persistent mind
ripples, warm,
unfurling in space,
a room with an ochre glow.
Bio: Heather Sager lives in Illinois. Her recent poetry appears in StepAway Magazine, Litbop, Magma,morphrog,
Creative Flight, Remington Review, The Rye Whiskey Review, ActiveMuse(Pushcart nomination), and more journals.
Her poetry also appears in anthologies, most recently Our Changing Earth Vol.1 from THE POET. Heather also writes fiction.
CHOCOLATE VOLCANO
by Michael Lewis-Beck
The candy maker in the Happy Moon
molds molten chocolate with her warmth
laden hands lifting pats like mud pies
dark as dirt but not dirt and not milk
chocolate either. Dark and
heavy but lush and giving like lava
in a lava lamp, though not afloat
in a viscous syrup,
instead being rolled by round fingers
into balls the size of golf balls,
smooth, though. Smooth as silk
the glistening chocolate appears
in its slow swirl.
How not like Silly Putty.
How like fingerpaints in grade school,
the brown paint, rubbed round and round
on freezer paper by my small hand
not wanting to stop and wanting to
taste it but knowing better than that.
No finger licks! Roiled Beulah Goslee,
my second grade teacher, not married,
like Miss Hearn, my first grade teacher
who also lived with a family while
Beulah lived in a boarding house.
In third grade I got caught passing a note.
Bio: Michael Lewis-Beck writes from Iowa City. He has pieces in American Journal of Poetry, Apalachee Review, Big Windows Review, Cortland Review, Chariton Review, Eastern Iowa Review, Guesthouse, Heavy Feather Review, Pennine Platform, Pilgrimage, Southword and Wapsipinicon Almanac. He has a book of poems, Rural Routes, with Alexandria Quarterly Press.
Conference
by Steven Deutsch
They always
choose a resort
off season—
a ski chalet
in August
or a pebbly beach
swept bare
by the winds
of February
for the robed
community
to gather—
students trailing
profs like goslings
for three days
of talk
and talk, and talk.
By the second
day we’ve all
run out of oxygen
and treat
our bottomless
headaches
with endless cups
of burnt coffee,
donuts,
and acetaminophen.
But, I like nothing more
than to walk
the beach in winter.
Picking my way
against a headwind
trying to blow me away.
My students present
in an hour
and are worried
I’ve forgotten.
But the surf
pounds
the beach
like a kettle drum
and the cold,
cold spray
is a work
of art.
Bio: Steve Deutsch is poetry editor of Centered Magazine and is poet in residence at the Bellefonte Art Museum. Steve was nominated three times for the Pushcart Prize. His Chapbook, Perhaps You Can, was published in 2019 by Kelsay Press. His full length books, Persistence of Memory and Going, Going, Gone, were published by Kelsay. Slipping Away will be published this spring. Brooklyn was awarded the Sinclair Poetry Prize from Evening Street Press and will also be published this spring.